The works included in this volume are not shots taken directly from reality but, instead, they offer landscapes that were recreated through a complex photographic staging, in which Maselli highlights through different techniques such as fragmentation, repetition, proliferation and superposition, the magnificence of the mountain ranges previously photographed from nature.
Artificial Infinite is a photographic enquiry on the aesthetic category of the sublime, which is represented as a controlled fear that attracts the soul, present in qualities like immensity, infinity, emptiness, loneliness and silence.
This recreations, which pursue the bewilderment of the sublime, also embrace the vehicular concern of contemporary photographic discourse: the elucidation of the boundaries between reality and its representation.
This book is part of the collection Cuadernos de la Kursala, an exhibition and editorial project of the University of Cadiz, curated by Jesús Micó and has the collaboration of the Museum of the University of Navarra and it´s distributed by the publishing company La Fábrica.
Size closed: 280 x 400 mm
64 pages
Tritone print
Edition of 1,500 copies.
Images that spreads questions, visual poems that hide a report, snapshots verses walking down the streets, squares, bars, balconies, buildings. Madriz is a tour of Madrid today but pierced by the ghosts of his past, an invitation to look at the city, perhaps rediscover, from its deep contrasts, its almost constant stimuli and its paradoxes. These series were born initially as an assignement from Madriz magazine to illustrate their covers between 2008 and 2012, but later the artist completed and expanded them for different exhibits.
Size closed: 21,5 x 27,8 cm
Black Fabric Hardcover
112 pages
Edition of 100 copies.
Collection of photobooks dedicated to Ibero-American photographers.
32 pages
14 × 21 cm
Limited edition of 60 numbered copies
The works included in this volume are not shots taken directly from reality but, instead, they offer landscapes that were recreated through a complex photographic staging, in which Maselli highlights through different techniques such as fragmentation, repetition, proliferation and superposition, the magnificence of the mountain ranges previously photographed from nature.
Artificial Infinite is a photographic enquiry on the aesthetic category of the sublime, which is represented as a controlled fear that attracts the soul, present in qualities like immensity, infinity, emptiness, loneliness and silence.
This recreations, which pursue the bewilderment of the sublime, also embrace the vehicular concern of contemporary photographic discourse: the elucidation of the boundaries between reality and its representation.
This book is part of the collection Cuadernos de la Kursala, an exhibition and editorial project of the University of Cadiz, curated by Jesús Micó and has the collaboration of the Museum of the University of Navarra and it´s distributed by the publishing company La Fábrica.
Size closed: 280 x 400 mm
64 pages
Tritone print
Edition of 1,500 copies.
Images that spreads questions, visual poems that hide a report, snapshots verses walking down the streets, squares, bars, balconies, buildings. Madriz is a tour of Madrid today but pierced by the ghosts of his past, an invitation to look at the city, perhaps rediscover, from its deep contrasts, its almost constant stimuli and its paradoxes. These series were born initially as an assignement from Madriz magazine to illustrate their covers between 2008 and 2012, but later the artist completed and expanded them for different exhibits.
Size closed: 21,5 x 27,8 cm
Black Fabric Hardcover
112 pages
Edition of 100 copies.
Collection of photobooks dedicated to Ibero-American photographers.
32 pages
14 × 21 cm
Limited edition of 60 numbered copies