Fernando Maselli is an effective photographer, with very little material he is capable of arranging and questioning large spaces, inanimate objects or urban landscapes, that are the constants in this exhibition: Scaffolds, Industrial Estates, Plaza Mayor, Aerial Views, Planned Spaces, Still Lifes and Monuments, are the series that form it.Throughout his photography, pictorial effect is underlined thanks to color variations respectively highlighted through games of light and shade; and on the other hand, he uses and arranges an element as an architectural value: the flowing space or vaccum that trasverses and sensitizes, in moderation, the free intervals between matter. All series have a common denominator, Madrid, an urban (and rural) axis. A city that Maselli venerates and interprets through critical procedures to which the author submits it, questioning it as an autonomous work of art, enriching it despite the graying overview of the current situation and measuring the possibilities of its social role in formats like squares, monuments, buildings and public sculptures, in which the human element is sometimes involved, but without diminishing the prominence of architectural elements.His Aerial Landscapes are shown bare and without artifice, leaving the viewers to decide upon their nature, creating spaces where land has been completely stripped off accessory garments and where we can hardly recognize buildings or real references, while it remains to be the countryside of Madrid.